Archive for the self-portrait Tag

You are what is most beautiful about me. Really?

I came across some new work of Del Kathryn Barton’s this week which I will talk about in another post at another time. But it reminded me of her 2008 Archibald winning portrait and I thought it was worth pulling apart some of the ideas contained within it. What is of interest to me in this piece, apart from the
Read more…

The original Supermum!

Have a look at this! Painted in 1789 by French artist Nicole-Marie Dumont, this painting has remained etched in my conscious since I first saw it. There is nothing terribly unusual about the painting itself, in fact it’s fairly predictable in its technicalities. It’s the subject matter that is so significant to me. The 18th century ‘supermum’! The artist presents herself
Read more…

Mirror, mirror once again

The twentieth century proved to be a good time for women. Many things in their collective lives improved, at least in the developed world. Being a female artist became a possibility in the professional sense despite significant sexist attitudes remaining. Once we got to this point in time, it was as if we were suddenly free to look in the mirror again, and more
Read more…

Nora Heysen and her blue-eyed gaze

                      In 1938 Nora Heysen became the first woman to win the Archibald Prize, Australia’s best known portrait prize and an annual event which has attracted much controversy since its inception in 1921. In 1943 Heysen became the first Australian female war artist and was posted to Borneo and New Guinea
Read more…

Eye to eye with Anna Bilinska

At about the same time as Therese Schwartze was peering back at Reynolds, Anna Bilinska was facing us – eye to eye. Anna Bilinska’s multi-layered painting is one of my favourites. When I’m feeling buoyant, I fancy myself chatting easily with this attractive woman – who appears to have sat down momentarily on the sitter’s chair, almost inadvertently catching her
Read more…

Peering back at Reynolds

There is a fabulous self-portrait by the Dutch artist Therese Schwartze (1852-1918) where she assumes the pose made famous by Joshua Reynolds some 140 years earlier. Reynolds painted his self-portrait early in his career and shows himself as a young artist, hand to brow shading his eyes and carefully surveying his subject – his own reflection in a mirror. It’s
Read more…

Understanding Artemesia’s Allegory

In 1611 Cesare Ripa published the highly influential text Iconologia, a kind of recipe book detailing the symbols artists could use in painting various themes. It was a bit of a ready-reckoner of emblems allowing artists to narrate complex stories and ideas using symbols which were easily recognised and understood by the viewer. The visual image played a different role
Read more…

Artemisia Gentileschi: the Nina Simone of the Renaissance

Much has been made in recent years of the artist Artemisia Gentileschi. Rather than talk about the story that accompanies her life – the rape by her art teacher Agostino Tassi which, having all the features of a good soap opera has the power to confine her within that story – I am going to attempt to throw light on
Read more…

Mary Cosway and her discontent

In 1787 a woman named Mary Cosway painted an amazing self-portrait. It was a portrait of her discontent. Today all that exists of the painting is an engraving by Valentine Green and as a result we must interpret her work partly through the hand of another. Even so, the message in Mary Cosway’s self-portrait is hard to miss. The composition
Read more…

Pioneer and hero: Sofonisba Anguissola

From the mid 1500s we begin to see really notable self-portraits by women trickling through. My favourites are by Sofonisba Anguissola, an Italian woman of minor nobility who, from her childhood was determined to paint. The problem for her and her peers was that there was no tradition or culture that gave women permission to be artists. They were working
Read more…