Archive for the female self-portraiture Tag

Understanding Artemesia’s Allegory

In 1611 Cesare Ripa published the highly influential text Iconologia, a kind of recipe book detailing the symbols artists could use in painting various themes. It was a bit of a ready-reckoner of emblems allowing artists to narrate complex stories and ideas using symbols which were easily recognised and understood by the viewer. The visual image played a different role
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Artemisia Gentileschi: the Nina Simone of the Renaissance

Much has been made in recent years of the artist Artemisia Gentileschi. Rather than talk about the story that accompanies her life – the rape by her art teacher Agostino Tassi which, having all the features of a good soap opera has the power to confine her within that story – I am going to attempt to throw light on
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Mary Cosway and her discontent

In 1787 a woman named Mary Cosway painted an amazing self-portrait. It was a portrait of her discontent. Today all that exists of the painting is an engraving by Valentine Green and as a result we must interpret her work partly through the hand of another. Even so, the message in Mary Cosway’s self-portrait is hard to miss. The composition
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Woman as painter: the 1700s and Elisabeth Vigee-Le Brun

With the 1700s we begin to see some really significant women artists coming to the fore. In her book The Obstacle Race, Germaine Greer uses an image on the cover by the artist Elisabeth Vigee-Le Brun, one time sensation of the European world. Here she is happily working away wearing a big red sash in front of a large canvas,
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Woman as painter: an early archetype

Considering the restrictions put on women in terms of social choices, lack of financial independence, and the religious and moral baggage scattered at their feet, it surprises me that women painted themselves as artists quite as early as they did. This is an archetype one might expect to see as a run-up to suffrage, or post French Revolution perhaps, but
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More pioneers: the woman and the easel

Sofonisba Anguissola was not alone in the early 1500s in creating the archetypes we would emulate. Catarina van Hemessen, a Flemish artist is particularly important because she is said to be the first artist of either sex who painted herself at an easel. In 1548 she paints herself seated in front of her easel, brushes and palette in hand. Everything
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