Archive for the easel Tag

The original Supermum!

Have a look at this! Painted in 1789 by French artist Nicole-Marie Dumont, this painting has remained etched in my conscious since I first saw it. There is nothing terribly unusual about the painting itself, in fact it’s fairly predictable in its technicalities. It’s the subject matter that is so significant to me. The 18th century ‘supermum’! The artist presents herself
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I paint, therefore I am

In the next series of posts I want to move on to another theme in the history of women’s self-portraiture, that of motherhood. But in the interest of tying up loose ends I should make some kind of conclusion to this theme. In exploring art history in general, the female artist is largely absent from the famous collections, the main catalogues and
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Nora Heysen and her blue-eyed gaze

                      In 1938 Nora Heysen became the first woman to win the Archibald Prize, Australia’s best known portrait prize and an annual event which has attracted much controversy since its inception in 1921. In 1943 Heysen became the first Australian female war artist and was posted to Borneo and New Guinea
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Gabriele Münter plays second fiddle

You may know of Gabriele Münter as the partner of Kandinsky during the years of the Der Blaue Reiter (Blue Rider group). By all accounts her life was made miserable by her great and no-doubt difficult teacher and long-time lover Wassily Kandinsky. Kandinsky was hard task master it seems, telling her ‘as a pupil you are hopeless – nothing can
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Peering back at Reynolds

There is a fabulous self-portrait by the Dutch artist Therese Schwartze (1852-1918) where she assumes the pose made famous by Joshua Reynolds some 140 years earlier. Reynolds painted his self-portrait early in his career and shows himself as a young artist, hand to brow shading his eyes and carefully surveying his subject – his own reflection in a mirror. It’s
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Artemisia Gentileschi: the Nina Simone of the Renaissance

Much has been made in recent years of the artist Artemisia Gentileschi. Rather than talk about the story that accompanies her life – the rape by her art teacher Agostino Tassi which, having all the features of a good soap opera has the power to confine her within that story – I am going to attempt to throw light on
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Woman as painter: an early archetype

Considering the restrictions put on women in terms of social choices, lack of financial independence, and the religious and moral baggage scattered at their feet, it surprises me that women painted themselves as artists quite as early as they did. This is an archetype one might expect to see as a run-up to suffrage, or post French Revolution perhaps, but
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More pioneers: the woman and the easel

Sofonisba Anguissola was not alone in the early 1500s in creating the archetypes we would emulate. Catarina van Hemessen, a Flemish artist is particularly important because she is said to be the first artist of either sex who painted herself at an easel. In 1548 she paints herself seated in front of her easel, brushes and palette in hand. Everything
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Pioneer and hero: Sofonisba Anguissola

From the mid 1500s we begin to see really notable self-portraits by women trickling through. My favourites are by Sofonisba Anguissola, an Italian woman of minor nobility who, from her childhood was determined to paint. The problem for her and her peers was that there was no tradition or culture that gave women permission to be artists. They were working
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