Archive for the 'Self-portrait conventions' Category

Peering back at Reynolds

There is a fabulous self-portrait by the Dutch artist Therese Schwartze (1852-1918) where she assumes the pose made famous by Joshua Reynolds some 140 years earlier. Reynolds painted his self-portrait early in his career and shows himself as a young artist, hand to brow shading his eyes and carefully surveying his subject – his own reflection in a mirror. It’s
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Understanding Artemesia’s Allegory

In 1611 Cesare Ripa published the highly influential text Iconologia, a kind of recipe book detailing the symbols artists could use in painting various themes. It was a bit of a ready-reckoner of emblems allowing artists to narrate complex stories and ideas using symbols which were easily recognised and understood by the viewer. The visual image played a different role
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Artemisia Gentileschi: the Nina Simone of the Renaissance

Much has been made in recent years of the artist Artemisia Gentileschi. Rather than talk about the story that accompanies her life – the rape by her art teacher Agostino Tassi which, having all the features of a good soap opera has the power to confine her within that story – I am going to attempt to throw light on
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Woman as painter: the 1700s and Elisabeth Vigee-Le Brun

With the 1700s we begin to see some really significant women artists coming to the fore. In her book The Obstacle Race, Germaine Greer uses an image on the cover by the artist Elisabeth Vigee-Le Brun, one time sensation of the European world. Here she is happily working away wearing a big red sash in front of a large canvas,
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More pioneers: the woman and the easel

Sofonisba Anguissola was not alone in the early 1500s in creating the archetypes we would emulate. Catarina van Hemessen, a Flemish artist is particularly important because she is said to be the first artist of either sex who painted herself at an easel. In 1548 she paints herself seated in front of her easel, brushes and palette in hand. Everything
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Mirror, mirror on the wall

  Images of women with mirrors are not rare – European art history in particular, is littered with images of women reflected in mirrors – we are painted post-coital, post bath, pre-bath, getting dressed, getting undressed, brushing our hair, doing our hair, playing with our hair and on and on. Many of these paintings are masterpieces in their own right
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Wise or vain: a no-win situation

From the earliest times the traits of prudence, temperance and fortitude were considered Cardinal Virtues and the ideas they embodied reached right back to Aristotle and the Greek philosophers. These Virtues were portrayed as women with various symbols reminding us of their important attributes. But it is Prudence, from the Latin prudentia (foresight, sagacity) who is painted time and time
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The first female self-portrait

According to Frances Borzello in Seeing Ourselves, the earliest representations of women painting themselves are medieval in origin. Boccaccio (1313-1375) in Concerning famous women, mentions an artist named Marcia who sat ‘with the aid of a mirror, preserving the colours and features and expression of the face so completely that none of her contemporaries doubted that it was just like
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