Archive for the 'Mirror' Category

Mirror, mirror once again

The twentieth century proved to be a good time for women. Many things in their collective lives improved, at least in the developed world. Being a female artist became a possibility in the professional sense despite significant sexist attitudes remaining. Once we got to this point in time, it was as if we were suddenly free to look in the mirror again, and more
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Eye to eye with Anna Bilinska

At about the same time as Therese Schwartze was peering back at Reynolds, Anna Bilinska was facing us – eye to eye. Anna Bilinska’s multi-layered painting is one of my favourites. When I’m feeling buoyant, I fancy myself chatting easily with this attractive woman – who appears to have sat down momentarily on the sitter’s chair, almost inadvertently catching her
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Understanding Artemesia’s Allegory

In 1611 Cesare Ripa published the highly influential text Iconologia, a kind of recipe book detailing the symbols artists could use in painting various themes. It was a bit of a ready-reckoner of emblems allowing artists to narrate complex stories and ideas using symbols which were easily recognised and understood by the viewer. The visual image played a different role
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Artemisia Gentileschi: the Nina Simone of the Renaissance

Much has been made in recent years of the artist Artemisia Gentileschi. Rather than talk about the story that accompanies her life – the rape by her art teacher Agostino Tassi which, having all the features of a good soap opera has the power to confine her within that story – I am going to attempt to throw light on
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Mirror, mirror on the wall

  Images of women with mirrors are not rare – European art history in particular, is littered with images of women reflected in mirrors – we are painted post-coital, post bath, pre-bath, getting dressed, getting undressed, brushing our hair, doing our hair, playing with our hair and on and on. Many of these paintings are masterpieces in their own right
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Wise or vain: a no-win situation

From the earliest times the traits of prudence, temperance and fortitude were considered Cardinal Virtues and the ideas they embodied reached right back to Aristotle and the Greek philosophers. These Virtues were portrayed as women with various symbols reminding us of their important attributes. But it is Prudence, from the Latin prudentia (foresight, sagacity) who is painted time and time
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The first female self-portrait

According to Frances Borzello in Seeing Ourselves, the earliest representations of women painting themselves are medieval in origin. Boccaccio (1313-1375) in Concerning famous women, mentions an artist named Marcia who sat ‘with the aid of a mirror, preserving the colours and features and expression of the face so completely that none of her contemporaries doubted that it was just like
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